Satan's Seat is not an object of comfort but an allegory of power’s dazzling allure and its scorch. The work stages a paradox: attraction that intensifies with danger, desire that brightens as it burns.
An impossible throne uninhabitable by design glows like a beacon. The closer one comes, the more magnetic it becomes. In this charged proximity, the piece asks what kind of sovereignty demands heat as tribute and pain as proof.
Rendered in serigraph, the discipline of layered ink sharpens the metaphor: crisp edges, controlled fields, calibrated contrast. Surface restraint meets thematic volatility; elegance frames the risk it reveals.
Satan's Seat is not a celebration of power but a warning. Behind the desire to rule lies a quiet ruin the ash left by longing.