Mirror lingers between presence and perception. The figure does not simply sit. It reflects, splits, multiplies. Each translucent limb, each doubled gesture becomes an echo of self recognition, an inquiry into identity not as fixed form but as layered memory.
Cınarsu Kurt weaves subtle distortion through realism: the female body, rendered with care, appears not fragmented but multiplied, as if caught in the act of becoming. This is not a mirror of vanity but of introspection a site where body and consciousness overlap, not quite aligning, not quite separating.
Mirror invites viewers into a suspended threshold, where the self is both subject and surface. It is an intimate choreography of observation: the hand that reaches out, the gaze that does not return. Here, reflection is not resolution. It is the quiet tension of seeing oneself without knowing entirely what is seen.