Memento 2 is not an intuitive outpouring. It is a deliberate act of resistance. Rather than expressing an interior world, this work functions as a visual defense against the violence of the exterior one. It is not meant to be read but to be felt through its ruptures and dissonances.
There are no figures to identify, no narrative to follow. The work refuses representation, choosing instead to embody friction, urgency and dissent through abstraction. The electric pinks and layered yellows are not decorative. They scream. They mark territory, refuse containment and confront the viewer with unapologetic presence.
In Memento 2, absence becomes the medium of resistance. It asks nothing and offers no comfort. It stands not as image but as a stand.