Self-Portrait subverts the classical tradition of self portraiture. The figure is not centered, not whole instead, it is cropped, fractured and deeply emotional. What is absent becomes just as important as what is shown, allowing the viewer to finish the portrait through their own interpretive lens.
The swirling intensity of reds, greens, blues and blacks reflects emotional complexity far more than anatomical form. The eye does not confront the viewer directly it is uneasy, searching and turned inward. Rather than offering identity, the portrait suggests unresolved selfhood fluid, vulnerable and shifting.
Self-Portrait is not a statement of who one is but a question of how one feels when facing oneself.
A raw, intimate piece for collections that explore psychological depth, identity and emotional abstraction.