Cracks and Waves 2 reveals itself as a visual palimpsest a layered surface where time, gesture, and erosion converge in abstract chorus.
The composition is a tectonic memory scape: fissures stretch like forgotten fault lines, and pigment flows as if carried by subterranean tides. These visual ruptures are not wounds but thresholds marking the collision between structure and dissolution, certainty and intuition.
Rather than mapping a fixed geography, the work traces emotional topographies in flux. Cracks and Waves 2 suggests that memory does not settle. It ripples, it fractures, it reshapes. What we see is not an image but a residue of movement, a suspended echo of transformation.