Outgoing places the viewer behind the gaze a figure looking away, not out of avoidance but intention. There is direction, even resolve, in the turning. The sharply defined color planes across the face and body create a fractured yet focused energy, as if something has just been decided.
The minimalist background structured and architectural contrasts with the emotional weight of the figure’s palette. It suggests a duality: interior vs. exterior space or a before vs. after. A single red block lingers in the upper left corner perhaps a remnant of what is being left behind.
Outgoing captures not the act of leaving, but the meaning of it the moment one steps beyond the threshold of the known.
A work that belongs in collections seeking to explore psychological movement, identity in transition, and the quiet power of turning away.